BOB MOULD
- Workbook
I hear the weatherman
He says "It looks like rain for a while"
I guess I'll have to stay inside
Make peanut butter sandwiches
And cry
This has become my Thursday album. Looking for the working week to end,
feeling nervous, this album relaxes me.
Don't let this fool you. If listened to in the right volume, this album
will make you ears ring right in the middle of track 2. Heck, it took me
at least three times to make it through to the end. But it was worth it.
Now I can't do without this album. Why is it so great?
Bob Mould, of late Husker Du fame, has gone solo, and in 1989 created this
masterpiece.
A collection of songs with two main themes: personal relationships gone
wrong ("Heartbreak a Stranger", "Sinners and their Repentances"
etc.) and pure nostalgia ("Wishing Well", "Compositions
for the Young and Old", "Brasilia Crossed with Trenton").
Now, anybody who's familiar with
Bob Mould and Husker Du, knows that this guy likes
to rock, in the most feedback drenched kind of sound. What a surprise this
is, when most are accompanied by wonderful cello lines. The album is melancholic,
but in no way mellow. It starts with the light jazzy number "Sunspots",
but Mould soon kicks into gear in "Wishing Well", a sad song
which claims that asking for better things will result in nothing (The
well, three wishes run dry/ Wishing well is dry). The sad state Mould
is in, repeats on in later songs, whether it's relationships with women
(And every time you knock me down/ It's all that I can do to get up
off the ground/ Pull myself apart again), or when he's alone (I
can count the lonely days/ I get by, as they go by/ Standing in the
stairway by this room/ By this room). So he resorts to nostalgia (Used
to be that a handshake was a man's word/ Now we settle arguments in court)
or pure escapism (I wish for dreams of light/ I live for wishing well
surprise). All this sounds like one way ride to the gutter, but Mould
is well aware. There is salvage for broken relationships (I can see
a little light/ I know you will/ I can see it in your eyes/ I know
you still care) and there is danger in self pity (I warn ya, don't
go near that road/ I know that road, it's a bitch/ I walk right next to
that road/ All hanging out in a ditch).
The lyrics, if you haven't noticed so far, are top of the line. Mould shows
a true gift as a poet, beside the great rocker we know him to be. Perfection.
G
NEW NEW NEW!!!
An excerpt from "See a Little Light" (MPEG Audio)
Use ActiveMovie to play it
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