Minimalism is a style employed by many 20th Century artists, using a minimum amount of components such as colour, shape, line and texture. Within the art world it is considered an extremely subjective concept, leaving interpretation and meaning up to the viewers perception of the work.
        Some appreciate the openness of this idea, embracing the freedom of interpretation, where others despise the lack of direction or subject matter. For photographers, this is less of an issue, as more often than not, a photo remains a real-life moment captured on film. Despite this, we can employ some of the techniques of minimalism to enhance the impact of our work.

Why does minimalism work towards me?

            I’ve never studied it and I’m sure a lot has been written on the topic by much more learned people them myself – however the thing I enjoy about minimalistic images is that by creating ’empty’ spaces in the photograph you actually accentuate the subject that you do include.
            The eye of the person looking at the image can’t help but be drawn to the element of the image you’ve taken.

How To Work With Minimalism..

One piece of advice I still remember from my photography friend is this:
“make your subject the strongest point of your photo even though it might take up only a small part of the overall image”
When I’m attempting to take a show with a minimalist feel to it I keep those words in mind.

Theres's Many Wars To Do It . Here's A few ...

• pick subjects wisely – obviously for a subject to dominate an image even when it’s relatively small in the scheme of the overall shot it will need to be a fairly striking or contrasting one.
• experiment with color – contrasting colors between your subject and the rest of the shot are one way to make it stand out. Perhaps why I was stimulated to write this post was that the ‘blue assignment’ produced so many shots in which the majority of the image was one color with a contrasting subject. Alternatively making the subject the same color as your background can give a minimalist type feeling also. Another strategy that photographers use is to strip the color out of shots – often in post production.
• use depth of field – another way to focus the eye on your subject is to strip out detail from the background of your shot by making it blurry. The best way to do this is to use your aperture settings.
  
• crop out distractions – perhaps the most effective way to rid your photos of distracting details and to leave shots with a feeling of space is to crop your shots in a way that edges out the details. This is not always possible of course if the details are in the middle of your images (in that case you might need to learn to use Photoshop) but can often be useful.
• Zoom In – in framing your shots utilize your zoom to eliminate distractions
• Zoom Out – alternatively zooming out to a wide angle can also give a feeling of space as it decreases the size of distracting elements.

I find that the key to getting great minimalist shots is to take a lot of shots at different exposures, different focal lengths and from different angles. It can sometimes take moving your position as the photographer or tweaking some of your camera’s settings to get things just right.