Achieving a strong compositional element to a minimalist photo is
absolutely key in enhancing the impact of the shot. Like I mentioned in
Step 2, what you leave out is just as important as what you leave in, so
take some time to consider the structure of the subject and the space
within which it is placed.
The "rule of thirds" applies here and will help when deciding how to
frame your subject. Strong composition can also incorporate square
structures and line, which we will come to later on, but keep an eye out
for strong shapes and lines which might lend themselves to a minimalist
shot.
Be sure to focus in on the subject, and if possible, select a depth
of field that will make the subject stand out, this will draw the eye
into the shot and enhance impact.
Like a lot of minimalist art, some minimalist shots are based purely on texture and colour, yet they grab your attention even without any distinct subject matter. For this, you need not only an engaging surface, but also the means to capture it in an interesting way.
Consider whether there is any direction to the texture and whether that line can be used effectively in a compositional sense. Try to use light to enhance the texture, to bring out the contrast and look to capture the image so the viewer could almost feel what they are seeing.
Once you have spent some time studying minimalist examples,
you'll begin to appreciate the examples of minimalism that surround you
each and every day. When you're out and about, keep your eyes open for
spaces and blocks of colour, interesting subjects that stand alone and
clean lines. Look up, look down, keep searching and you will be
rewarded.
A good place to start might be within geometric shapes found within
architecture, which often include a whole wall of re-occurring pattern
that can be exploited as a minimalist photo.
Many minimalist photos are eye catching, featuring simple lines,
appealing colours and could be considered an artistic expression, but
once you've mastered capturing appealing images; it's time to take on a
greater challenge. Can you tell a story through a photo shot in a
minimalist style? Is it possible to convey a scene or event using
reduced subject matter, colours and shapes?
To achieve this, you may well need to incorporate some interest from
light, people or movement, but next time you're out shooting an event,
once you've got all the shots you need, try summing up the event in one
shot using as little subject matter as possible, you might surprise
yourself!