GOD DETHRONED
1.FIRST OF ALL CAN YOU POINT OUT WHICH YOU CONSIDER TO BE THE MOST IMPORTANT MOMENTS OF THE BAND’S CAREER TILL NOW AND WHY? 2.CAN YOU TELL US A FEW THINGS REGARDING “INTO THE LUNGS OF HELL”? WHERE WAS IT RECORDED, WHO WAS THE PRODUCER, HOW LONG IT TOOK YOU TO COMPLETE IT, ETC. ARE YOU STILL SATISFIED WITH IT OR IS THERE ANYTHING YOU’D LIKE TO CHANGE? 3.YOU HAVE RECORDED YOUR ALBUM IN A SCANDINAVIAN STUDIO. THESE PAST 2-3 YEARS WE SEE MORE AND MORE BANDS RECORDING THEIR ALBUMS IN SWEDEN. AREN’T YOU AFRAID THAT THIS WAY YOU MIGHT LOSE YOUR PERSONAL SOUND AND IDENTITY AND THAT YOU MIGHT SOUND LIKE ONE MORE BAND OF THIS GENRE? 4.WHICH DO YOU THINK ARE THE SIMILARITIES AND DIFFERENCES BETWEEN “RAVENOUS” AND “INTO THE LUNGS OF HELL”? PERSONALLY, THOUGH I FIND SOME DIFFERENCES, I’D SAY THAT THESE TWO ALBUMS SOUND TO ME LIKE AN ENTITY, LIKE A NATURAL PROCESS AND SUCCESS FROM ONE ALBUM TO THE OTHER. DO YOU AGREE? 5.”INTO THE LUNGS OF HELL” CAN’T BE CHARACTERIZED NEITHER AS A FAST NOR AS A MID TEMPO ALBUM. YOU HAVE BLASTBEATS BUT THEN YOU HAVE MID TEMPO PARTS AND MELODIES AND IT SEEMS TO ME LIKE MELODY AND AGGRESSIVENESS ARE IN A PERFECT BALANCE, LIKE THEY ARE EQUALLY DIVIDED. HOW DIFFICULT IS IT FOR YOU TO ACHIEVE THIS? 6.NOW LET’S GO TO THE LYRICAL PART…YOUR LYRICS SEEM TO BE MORE REALISTIC AND THE CONNECTION WITH CONTEMPORARY LIFE IS, I THINK, MORE THAN OBVIOUS. THIS TIME YOU DON’T USE SO MANY METAPHORS AND YOU HIT THE ROOT OF THE PROBLEM. WHAT MADE YOU CHANGE? 7.I THINK THAT YOUR MONICKER NOW MORE THAN EVER HAS A CONNECTION WITH WHAT’S GOING ON AROUND US. THERE WERE ALWAYS THROUGH OUT HISTORY WARS MADE IN THE NAME OF GOD ORIGINALLY SERVING MAN’S CAUSES AND AMBITIONS AND RIGHT NOW WE HAVE AN EXAMPLE. SO, AFTER ALL DO YOU THINK GOD AND RELIGIONS HELP PEOPLE AND SUPPORT THEM DURING THEIR HARD TIMES OR ARE THEY A SOURCE OF HATRED, WARS AND SEPARATING PEOPLE? 8.HOW ARE YOU PLANNING TO PROMOTE YOUR ALBUM? WHEN WILL YOU TOUR EUROPE AND WITH WHICH OTHER BANDS? IS THERE A CHANCE TO SEE YOU AGAIN FROM OUR PLACES HERE IN GREECE? 9.WHICH DO YOU THINK IS THE BEST AND WHICH IS THE WORST PART IN YOUR MUSIC? IS THERE A FIELD IN WHICH YOU NEED FURTHER IMPROVEMENT? 10.WHAT WOULD YOU DO IF YOU DIDN’T HAVE THE ABILITY TO INVOLVE IN ANY WAY WITH MUSIC? 11.IF SUDDENLY ELECTRICITY CEASED TO EXIST, WHAT DO YOU THINK WOULD HAPPEN TO HEAVY METAL? WOULD IT BE FORGOTTEN OR TRANSFORMED AND WHAT WOULD HAPPEN TO EXTREME SOUND IN SPECIFIC? 12.WHAT WOULD YOU ADVICE THE YOUNG GUYS WHO NOW FORM THEIR BANDS? WHAT SHOULD THEY BE CAREFUL OF IN THE MUSIC INDUSTRY? 13.IS THERE AN ALBUM THAT YOU’D LIKE TO HAVE CREATED YOURSELF OR SOME MUSICIANS THAT YOU’D LIKE TO CO-OPERATE WITH? 14.IF YOU COULD BE A HISTORICAL PERSONALITY FOR ONE DAY, WHO WOULD YOU LIKE TO BE AND WHICH PERIOD OF HIS/HER LIFE WOULD YOU LIKE TO LIVE? 15.IF YOU HAD THE CHANCE TO MEET THE CREATURE THAT CREATED THE UNIVERSE, WHAT WOULD YOU LIKE TO ASK HIM? 16.IF YOUR MUSIC WAS AN EMOTION, WHAT WOULD IT BE? 17. IF YOU HAD THE CHANCE TO LIVE AN EXTRAORDINARY EXPERIENCE, WHAT WOULD YOU LIKE IT TO BE? 18.THANK YOU! HAVE I FORGOTTEN TO ASK YOU ANYTHING AND YOU’D LIKE TO MENTION?
 Christine  Parastatidou
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