KGB


KGB don't play metal music, but a strange mixture of Punk Rock with electro elements and noise. I know that most of the metalheads don't like this kind of music, though in my opinion is very interesting, but I recomend you to read this interview cause here you will find a different point of view. KGB can't be labelised easily... 


1. WHEN DID You START THE BAND? HOW MANY RELEASES DO YOU HAVE? CAN YOU NAME THEM PLEASE?  
  • This KGB project started mostly due to a big influence from an Athens electro punk band, called ANTI... that split at 91-92. First tape (1997) was a 6 song attempt which was clearly insipred by ANTI music and lyrics. I got some positive feedback and I saw that there're reasons to do further stuff like this and distribute them. Since then I have put out many-many releases, many of them in total different style, 7-8 tapes and split tape, 4-5 CDRs have participated in several compilations and  I am always making music which will possibly be featured in my next "release". So, to me its really preferable that I have 15 different releases around rather than a single one spead more widely. Last one is called "each end is a begining" and has many guitar parts and much grindcore shit, and not so many electronics as usual ! In this last one, I attempt an assault to DIY/hardcore/punk stereotypes and dogmas .
2.KGB IS A STRANGE NAME FOR A BAND. WHY DID YOU CHOOSE THE NAME OF A SECRET SERVICE OF SOVIET UNION TO NAME AFTER THE BAND? DID YOU CONFRONT ANY PROBLEM BY USING THE NAME?
  • Hehe, yeap the truth is that KGB is quite a stupid name. It's after an AMIGA - demo of 1991 from a Danish demogroup named KGB. No, I haven't confront any trouble about the name, since it doesn't really mean anything having to do with the real KGB.
3.KGB IS ONE MAN'S BAND. WHY IS THIS? IS IT PERHAPS BECAUSE YOU DON'T WANT ANYONE ELSE INTERFERING WITH YOUR WORK OR IS IT POSSIBLE IN THE FUTURE TO COOPERATE WITH OTHER MUSICIANS?
  • Indeed, I compose my stuff 100% alone. I don't want or need anyone's opinion during the process of my creation. I like to have total power over my stuff and make it the way I like. Let's be honest about this one: being in a band, that is, creating music collectively has its negative aspects, along with the positive ones. I have done some collaborations from time to time, but most of them were just jamming, or just using some other people's lyrics, or getting some female friend to sing for some song. Yes, it is possible to do something with other people in the future. After all these years I feel that I want something like that - but it's kind of hard to find people for my thing, and that is: a) doing gore/scream/manic vocals for grindcore band and b) starting a noise/experimental band which should have at least have 3 members so as to perform live improvisations
4.YOUR MUSIC ISN'T SOMETHING THAT WE GET TO LISTEN TO VERY OFTEN. IT REALLY HAS A PERSONAL SOUND. HOW WOULD YOU DESCRIBE IT FOR THOSE THAT AREN'T AWARE OF YOU?
  • I have done many different styles. What I mentioned above could be described as electro-experimental-harcore-punk with lots of melody, in parts, or in whole, and many scattered rhythms from reggae to ska to waltz. Actually the split with TUG which you listened and review on your site, has neither so much melody nor many electronics. I have also done grindcore and cyber-grindcore, noise, experimental, tekno-shit, breakbeats and other shit.
5.PUNK ROCKERS AND METALHEADS ARE NOT OPEN TO NEW IDEAS AND EXPERIMENTATIONS WITH THE MUSIC THEY LIKE. YOU, AS A BAND, USE MANY ELECTRO AND NOISE ELEMENTS ALONG WITH THE PUNK ROCK YOU PLAY. DON'T YOU THINK THAT SOME FANS OF THIS MUSIC MIGHT ACCUSE YOU OF "DESTROYING" THIS MUSIC OR OF LACK OF RESPECT?
  • Hey, that's the best question so far! As with everything, you can't say that a specific group of people are narrow minded, as with all the rules you got exceptions. I used to believe that most "metal-heads" were really narrow-minded in life, attitude, dressing codes, musical horizons and stuff. Now I tend to believe the opposite, because as life evolves, technology has entered for good in our lives and we are fed with tons of information, more and more people break the 'chains' of labelization, groups of similar behaviour and 'political' correct attitudes. Strangely enough, groups of people with radical and supposedly 'thoughtful' attitudes towards life, society and the individual, such as "anarchist"-activists and 'hardcore-punk-rockers" seem to have the most narrow-minded views and attitudes, and along with the other extreme edge, the extreme right-wing-nationalists, nazi-bastards and conservatives, they confirm and preserve any stereotypes & 'ghettos',  preventing social groups and the individual (the center of life) from evolving. As you might have already understood, I don't give a damn about what 'hardcore-punk scene' is accusing me of. Life goes on, and I am evolving, even if the surroundings don't. I can't accept to be a part of this grouping-joke anymore. I am an individual, make music by heart, and I couldn't care less about the narrow-minded guys around that consider me an insult to music, DIY scene or anything. As far as music is concerned, YES, I fuckin' disrespect people's attitude towards it. Music should evolve, free of profit-driven companies, magazines or narrow-minded 'prophets' that think they're big enough to define a music genre. Fuck critics, fuck music genres, I destroy them on intension. Fuck punk-rock, this is KGB electro punk. And YES, I am a big fuckin' egoist!
6.AS A METALHEAD THAT I AM, I WANT TO ASK YOU AS A REPRSENTATIVE OF PUNK ROCK THAT YOU ARE, DO YOU THINK THAT THIS "HATRED" BETWEEN PUNK AND METAL STILL EXISTS OR DO WE HAVE MORE ELEMENTS IN COMMON THAT THOSE THAT  DIVIDE US? WHAT DO YOU THINK OF HEAVY METAL MUSIC?
  • I am not a representative of punk. But you could say I have a punk mentality in my veins! There's a big problem in this question. There's no (evident) idea behind metal music. Most metal lyrics are nonsense (sorry folks, maybe it's just me!) whereas THERE IS a general idea (not particularly specific, though) behind punk. That doesn't of course justify the 'hatred' you mentioned. Maybe I am missing the point here about the metal idea or mentality but I can't seem to find things that divide us, it's just music, and to me, a punk can always be as stupid as a metalhead. It's the individual that always makes the difference. We are people, not members of different groups of sheep. I can find things in common with anyone, whatever the music he listens to.
7.HOW DID THIS COOPERATION WITH TUG OCCUR FOR THE SPLIT CD? WHAT DO YOU THINK ABOUT THEM AND WHICH IS YOUR FAVOURITE TUG SONG?
  • TUG (Giorgos), also one-man-band, is actually a friend of mine. We know each other for over 10 years now, and have a history together. I can't be objective with this one. Through the years I have loved many TUG songs, such as Prokatalipsi, Outopia, Na mi fovitheis, too many to mention. We also did a split on tape and CDR in 2001, same style, only more electronic/melodic KGB part.                    
8.I READ SOME VERY INTERESTING LYRICS IN THE BOOKLET.  CAN YOU TELL ME WHO IS RESPONSIBLE FOR THEM? WHAT KIND OF LYRICS DO YOU WANT TO HAVE, POLITICAL OR MORE SENTIMENTAL AND ESOTERIC?
  • KGB lyrics were always written by me, unless otherwise noted in the info-sheet. In some songs, which are 8-9 so far I have used lyrics from Evgenia and Lina, whose words inspired me to compose music. Many of these songs are on the 2 splits with TUG. The lyrical content of my shit, is not pre-decided. I have written lyrics in different styles as well. Lately it tends to be more personal and praises the individual. And of course 'political' is a harsh term. I suppose I write quite on a personal level, without having any 'political correct' rules in mind. After all it's exression of oneself through creation, words and sound, not an attempt to change the world.
9.HAVE YOU DONE ANY LIVE SHOWS OR ARE YOU JUST A STUDIO BAND? IS IT POSSIBLE IN THE FUTURE TO FIND SOME MUSICIANS AND MAKE SOME GIGS?
  • KGB started solely as a studio project and I never felt like performing live and that not only because of technical details. Lately (last November) I did a small 12 min 'live act' which included a video projection I had shot and edited myself, while I played live electric guitar and various noise/ experimental along with help of friend who played drum and bass rhythms on computer. The sound as a whole accompanied the picture. The other 2 acts that night were in the same vein: music with video. People who attended the show liked it. All organization and financing of this peculiar gig was done by us, who played. Overall my only 'live' experience was very rewarding. Like I said in question 3, I am after people who I could rehearse and play live with - but this is hard, because of my tastes in music.
10.IN SOME OF YOUR SONGS, YOU ALSO HAVE A FEMALE SINGER WHO IS SHE? IS SHE A PERMANENT MEMBER OR DOES SHE SING IN OTHER BANDS TOO?
  • The female singer in split 2002 with TUG (only one song) is Xrysa. She sang for 4 or 5 songs for my latest release (each end is a beginning). Xrysa is also a friend, but no regular singer for KGB. We get along really good, so it's all done in friendly atmosphere in my home-studio. There's a possibility that she sings for a rock / strange / experimental band of Patras, but that's not sure yet, so I can't say more. She will propably sing for some other KGB in the future, though. I like female vocals!
11.ARE YOU IN A SEARCH OF A LABEL OR ARE YOU AN UNDERGROUND BAND AND YOU ARE AGAINST OF THE IDEA OF FINDING A CONTRACT? ARE YOU AFRAID THAT IF YOU SIGN TO A LABEL, YOUR MSUIC MIGHT CHANGE?
  • I will be short and realistic about this. I never tried to find a label for my shit. It's a choice, but I know the stuff I do would never be considered as merchantise or commercial. Do It Yourself is not only a choice, but also the only way I could put out my thing. I would never sign to a label, but I might release something in a normal 'independent' label in the far future. Generally speaking, it's no secret that bands that sign to labels and become famous change their music. All big bands like Sonic Youth, Pink Floyd, Napalm Death, Carcass, Kraftwerk and so many more, play their best in their early times. Of course that's my opinion, but I believe that the purest form of art is the art that is made in a way that is uneffected by profit/commercial rules. The thing you make thinking of you and your close enviroment, not the world market of music.
12.IF YOU WERE A FLY, WHERE WOULD YOU LIKE TO BE AND WHY?
  • I would like to be in a cover of a BATHTUB SHITTER 7''! These guys are an awesome  japan grindcore band which lyrically deal a lot with stuff like shit and flies. Actually I dislike flies, especially big ones, so what did you expect? But BATHTUB SHITTER rulez, and so does japanese grindcore!
13.IF YOU HAD THE CHANCE TO MEET THE CREATURE THAT CREATED THE UNIVERSE, WHAT WOULD YOU LIKE TO ASK HIM?
  • I don't believe that some creature of any kind created the world, but if I DID meet this... creator I would ask him why the fuck he created such a crazy thing. I would also tell him that, whatever he wanted to make, he surely failed!
14.IF YOU HAD THE CHANCE TO TRAVEL BACK IN TIME, WHICH HISTORICASL FIGURE WOULD YOU LIKE TO MEET AND WHAT WOULD YOU LIKE TO ASK HIM?
  • That's a hard one. Really hard. The first one that crossed my mind is the director of 1935 film 'Freaks', Tod Browning. I would ask him stuff regarding the movie and about how hard it was to make films like these back then.
                              
15.WHAT TITLE WOULD YOU LIKE THIS INTERVIEW TO HAVE?
  • KGB: ELECTROSYNTH GOD   , hahahaha
16.THANK YOU! THESE LINES ARE YOURS...
  • You are more than welcome to contact me about anything. All releases are always available, from 1997 till now.
  • KGB/SHR
  • Amfissis 5,
  • 26331 PATRAS
  • GREECE
  • For some KGB mp3 go to: www.punk.gr/shr, email: [email protected]


Nick  "William_Kidd"  Parastatidis

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