LUPINE
MOON
Lupine Moon is, for the moment
being, an one man band or to put it in a different way, it is the musical
vision and need for creation of Jim O' Connor. The main ingredients in
his compositions are spirituality, melancholy and emotions. All these overflow
in his compositions and eloquently reveal what Lupine Moon is all about...
1.FIRST OF ALL TELL US THE MOST
IMPORTANT MOMENTS IN THE SHORT LUPINE MOON HISTORY AND INTRODUCE THE CURRENT
LINE UP.
The current line-up is me! Haha
At least for now, I am the sole member of LM. LM began in the Fall of 2002.
My original bass player, Pete Black, and I attempted for some time to assemble
a full line-up, but we were unable to find musicians who were serious enough
to commit to the project. Ultimately, Pete ended up having to leave the
project,due to military and other responsibilities. That was really
disappointing, as he’s a damn good bassist, but rather than quit, I decided
to just go ahead with the project on my own.
2.IF I ASKED YOU TO INTRODUCE THE ALBUM
YOURSELF TO THE READERS, WHAT WOULD YOU SAY? HOW WOULD YOU DESCRIBE IT?
I think of it as being largely
melancholic and atmospheric, with a progressive edge. There’s also
a strong focus on melodic passages. I don’t know if that would really
make any sense to someone who hasn’t heard it, but that’s the best way
I can think of to describe it.
3.IT IS VERY DIFFICULT TO LABEL YOUR
MUSIC, SINCE YOU MANAGE TO COMBINE IN THE SAME COMPOSITION BOTH MELODY
AND AGGRESSIVENESS, MELANCHOLY AND HARSHNESS. HOW DIFFICULT IS IT FOR YOU
TO BLEND IN YOUR SOUND SO MANY ELEMENTS AND OFFER THIS VERSATILITY TO YOUR
SONGS?
I read a great quote once that
said ‘musicians are the sum of their record collections’. I find that to
be very true for myself. I listen to a wide variety of genres and
styles of music, both metal and non-metal, and have drawn influence and
inspiration from a great multitude of different artists. I think
my music is a mixture of all these components. As far as blending the different
sounds, it’s not even something I do consciously. All of those different
influences are within me, and manifest when I write music.
4.WE HEAR QUITE MANY INFLUENCES IN
YOUR SOUND FROM ALMOST ALL THE HEAVY METAL BRANCHES. SO, COULD YOU NAME
SOME OF YOUR MOST BELOVED BANDS AND ALBUMS? WHICH IS YOUR FAVORITE GENRE
IN HEAVY METAL MUSIC?
5.WHERE DID YOU RECORD THE ALBUM? DID
YOU HAVE THE HELP OF ANYONE OR ARE YOU FULLY RESPONSIBLE FOR THE ARRANGEMENTS
AND PRODUCTION? THE SOUND IS NOT THAT GOOD, IT ISN'T POWERFUL AND CLEAR.
WHY? IS IT DUE TO LACK OF EXPERIENCE AND FINANCIAL RESOURCES OR IS IT SOMETHING
ELSE? IF YOU HAD THE CHANCE TO CHANGE SOMETHING NOW, WHAT WOULD THAT BE?
I did it entirely on my own, in
my home. I was pretty limited as far as what I could do with the minimal
equipment I have. Ideally, I’d like to have used an actual recording/sound
studio, but due to financial constraints, I was unable to do that.
The project is completely self-funded, due to the fact that I’m not going
through a label. It’s tougher financially, but I get to have complete
control and work at my own pace. That’s important, because I work a ‘regular’
job, six days a week, and have a wife and daughter to support. I’m hoping
that I’ll have enough resources in the future to better fund the next release.
6.WHERE ARE YOUR LYRICS REFERRING TO
AND HOW IMPORTANT ARE THEY FOR YOU? WHAT INSPIRES YOU TO WRITE LYRICS AND
WHAT CAN TAKE THE INSPIRATION AWAY FROM YOU?
I’m a very spiritual person, which
comes through in my music. I write about things that are important
to me. When doing so, emotion will invariably come into play. I firmly
believe that’s the only way to write music; directly from the core of your
being. I’m not saying that every piece of music has to be deeply
emotional, but it should be a genuine reflection of one’s essence.
Anything less would just be superficial. I think we have enough superficiality
in music today. As far as what can rob me of inspiration, I really can’t
think of anything specific. Some days you’re creative juices just flow
more freely than on others. Who can say why?
7.USUALLY WE SAY THAT AN ARTIST HAS
TO WITNESS PAIN OR LOSS IN ORDER TO OFFER MUSIC THAT IS SO ELOQUENT AND
FULL OF SENTIMENTS. DOES THIS STATEMENT WORK WITH YOU AS WELL? WHAT KIND
OF PROCEDURE DO YOU FOLLOW WHILST COMPOSING SONGS?
Just about everybody has experienced
some significant degrees of pain in their lives. Whether or not that pain
is a necessary ingredient for good songwriting, I really don’t know. I
believe it can definitely help, at least for me. I think, for many of us,
that our most painful life experiences usually turn out to be a catalyst
for major development in our character. Though they can sometimes be very
damaging, if we’re fortunate, we can take from these negative experiences
some wisdom and maturity which can, in turn, be very useful implements
in the creative process. I don’t really have a set procedure. I find
that most of the time, the best stuff is not premeditated, but comes totally
by accident. I usually sit down with my guitar, having no specific
agenda, and see what comes out. I just love to play.
8.WITHOUT BEING AN AMAZING SINGER,
YOU HAVE THE ABILITY AND PASSION TO COMMUNICATE YOUR THOUGHTS AND FEELINGS
WITH US. HOW IS THIS POSSIBLE? DO YOU HAVE TO BE IN A SPECIFIC MOOD OR
ARE YOU THINKING OF SOMETHING WHEN YOU SING?
Hey, I’m the first to admit that
my vocals leave a lot to be desired I’m definitely NOT a singer!
I didn’t even plan on doing the vox on the album. I actually had
a female vocalist lined up, but I lost contact with her. I’m still
not sure what happened to her. At that point, I didn’t really want to waste
alot of time trying to find another one. Perhaps I was too anxious
to get the cd out, but it seemed it was doomed to suffer one setback after
another. I finally just said ‘fuck it’, I’ll just do it myself! I
think that’s how Mustaine ended up doing the vox for Megadeth, isn’t it?
There’s no specific mood when I sing. I write about things that are
meaningful to me, and I hope that that comes through to the listener.
9.WHY IS IT SO DIFFICULT TO FIND A
DRUMMER? I AM AWARE THAT MOST OF THE BANDS FACE PROBLEMS FINDING A GOOD
DRUMMER. WHY? WHAT HAPPENED IN YOUR CASE?
I wish I could answer that one!
Haha! It’s a mystery. In my case, it seemed the really talented drummers
were committed to other projects and therefore, had pretty full schedules.
I’m planning to at least get a session drummer for the next cd.
10.YOU ARE AN ONE MAN BAND, SO AS IT'S
NATURAL IT'S IMPOSSIBLE TO PLAY LIVE. ARE YOU THINKING OF DOING ANYTHING
ON THIS FIELD? WOULD YOU CONSIDER OF HIRING SESSION MUSICIANS?
I’d love to be able to get a band
together and do shows. I’m hoping that will become a reality in the
future, although I’m not really interested in doing any extensive touring.
I’d probably do mainly local shows with the occasional exception.
11.ARE YOU SATISFIED BY THE FEEDBACK
YOU GOT THIS FAR? IS THERE A COMMON STATEMENT YOU READ IN ALMOST ALL THE
REVIEWS YOU RECEIVE?
I just released the cd a month
ago and haven’t had the time to do a whole lot of promo, so feedback has
been very limited. The little feedback I’ve gotten so far has been mostly
positive, so I have no complaints.
12.IF YOUR MUSIC WERE AN EMOTION, WHAT
WOULD IT BE? IF IT WERE A PAINTING, WHAT WOULD IT SHOW?
Hmmm…another tough one. I
think I’d have to say melancholy. Sort of a solemn, meditative kind
of lamentation. Geez! That sounds like really pretentious bullshit!
Doesn’t it? If it were a painting? – probably a wintery landscape.
Winter is my favorite season. It’s a season of tranquility and solace.
To me, it’s a peaceful time of introspective reflection. It’s also
the season in which my creative processes tend to flow best. For
whatever reason, it’s very inspiring for me.
13.WHICH IS, ACCORDING TO YOU, THE
BEST AND WHICH THE WORST ELEMENT IN YOUR MUSIC? WHICH IS YOUR TRADEMARK?
I’d like to think that the guitar
work is the best element in my music. That’s my main instrument.
I’m always working to better myself as a guitarist. Though I play keyboards
and bass on the album, I really only consider myself a dilettante of both.
As I mentioned earlier, I feel my vocals are the weakest area. I don’t
know that having released only one cd qualifies you to have a trademark,
per se. I think a trademark is only evident after a prolonged period
of time. However, I would like my trademark to be that of having
brought all, or most of, the various types of metal together.
14.LET'S SUPPOSE THAT WE LIVE IN A
WORLD WITHOUT MUSIC. WHAT WOULD YOU DO IN SUCH A CASE?
Photography and digital art are
also passions of mine. I would pursue both.
15.WHICH WORDS DO YOU THINK COULD BEST
DESCRIBE "BLOOD OF THE WOLF" AND YOUR MUSIC IN GENERAL?
Duality of melody and aggression.
Harmonic dissonance, perhaps. With BOTW, I tried to cover the spectrum
of human emotion. The songs are my own passions in musical form.
It is my wish to relate these passions to others who may share them.
16.LUPINE MOON IS ANOTHER EXPRESSION
FOR THE FULL MOON RIGHT? WHY DID YOU SELECT THIS MONIKER AND WHY DO YOU
INSIST ON WOLF THEMATOLOGY? WHAT IS IT YOU FIND SO APPEALING?
Lupine actually refers to something
of, or pertaining to, the wolf. My wife actually suggested the name.
While I was trying to come up with a name, I asked if she had any suggestions.
She knew I wanted one with some type of wolf reference and came up with
Lupine Moon. I’ve always had an affinity for wolves. It is, perhaps, due
to my Celtic heritage. My Irish surname, O’Connor, is an Anglicization
of the Gaelic, ? Conchobhair, which literally means ‘lover of Wolves’.
It’s for this reason that I wanted a name with a wolf reference. The ‘moon’
part just seemed appropriate, given the nocturnal nature of the wolf.
Besides, I just thought it sounded cool.
17.THANK YOU! HAVE I FORGOTTEN TO ASK
YOU ANYTHING AND YOU'D LIKE TO MENTION?
I think you covered all the bases.
Much thanks for the interview!
Christine Parastatidou
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