SALEM
WITH SO MANY YEARS OF EXISTENCE AND MANY SELLS AROUND THE WORLD, SALEM FROM ISRAEL HAVE THEIR OWN STORY TO SAY. RECENTLY HAVE RELEASED A VERU GOOD DEATH METAL ALBUM AND WE HAD THE OPPORTUNITY TO TALK ABOUT IT. ALSO WE HAD THE CHANCE TO TLAK ABOUT THE PROBLEMS OF THE ISRAEL. SO READ VERY CAREFULLY THIS INTERVIEW... 

1.FIRST OF ALL POINT OUT THE MOST IMPORTANT MOMENTS OF  THE BAND'S HISTORY AND ITRODUCE YOURSELVES TO THE FANS.
    Salem was formed in 1985 along with the newly born extreme metal scene and released 2 demo tapes called: "Salem"(1986) and "Destruction till Death"(1987). After 5 years of a successful underground career and a line-up change to: Zeev Tananboim - Vocals, Lior Mizrachi - Guitar, Michael Goldstein - Bass, Gioraa Hirsch - Guitar, Amir Neubach - Drums. the band released "Millions Slauughtered Live"(1990). This demo tape sold 1,500 copies and got the band a record deal with the German label Morbid Records. "Creating our sins"(1992) and "Kaddish"(1994) were released by Morbid records and sold over 40,000 copies worldwide. Prior to the release of "Kaddish", Morbid Records released a 7 inch picture EP with the single "Dying Embers"(1994) to promote the album, and when "Kaddish" came out, a limited edition of the album was released on   vinyl (picture disc). The opening song "The Fading" was played on M.T.V's headbangers ball rotation and also got the band to be elected as one of the best 10 up and coming bands in the world by M.T.V and Kerrang. "Kaddish" also featured a cover song called "Ha'ayara Bo'eret" (the town is on fire), a song that is being associated with the holocaust. This national controversy found its way to the Israeli parliament for a discussion of whether or not it is appropriate for a metal band to play such songs. In 1996 Giora Hirsch decides to leave the band and dedicate himself to his new family.  In 1998, following the best offer the band got from Israeli label B.N.E., producer Colin Richardson, the man who produced such known act as Machine Head, Fear Factory etc, flew over to Israel to record "A Moment of Silence". The album was recorded in D.B. studios in Israel and The Chapel in England and was released late 1998. A big distribution deal was on the horizon with Modern Music (Germany) but due to miscommunication between B.N.E. and the band the deal fell through. Right after the "A Moment of Silence" recording session, Amir Neubach quits the band to pursue a music career in New-York City. Nir Nakav, who just returned from L.A. after 4 years, joins Salem. In early 2001, Salem was released from their contract with B.N.E. In December 2001, Salem signed a 3 album deal with KMG/ System Shock from Germany. The fourth Salem album is the most aggressive Salem album to date. Produced by the band and recorded in D.B. Studios (Drums, Bass, and Guitars)  and Noise Studios (Vocals and mix) in Israel to maintain the bombastic production standard set forth with previous release "A Moment of  Silence". "Collective Demise" contains 12 new songs which textually are snapshots of our reality since September 2001. The released date is September 2002. Nir Gutraiman (Guitar) joins Salem. In their long years in the business, Salem played shows as headliners but was also much obliged to play on the same stage with other known bands like; Megadeth, Entonbed, Ancient Rites, Cancer, Rotting Christ, Disharmonic Orchestra and more. 
    Line-up:
    Ze'ev Tananboim - Vocals
    Lior Mizrahi - Guitar
    Michael Goldstein - Bass
    Nir Nakav - Drums
    Nir Gutraiman – Guitar
    More info: http://www.salemband.com/
2.WHY DID YOU NAME THE BAND THIS WAY AND HOW COME YOU DIDN'T USE A NAME FROM YOUR CULTURE?
    The meaning of the name Salem is a town in USA that in the past performed witch-hunt. When we named our band, that name was authentic because back than we deal with diabolical themes. 
3.AMONG THE OTHERS I DESCRIBED YOUR MUSIC AS A REFINED MIXTURE OF ORIENTAL ELEMENTS AND FEELINGS WITH THE MORE WESTERN DEATH METAL MUSIC. DO YOU AGREE? CAN YOU NAME SOME OF YOUR MOST BELOVED BANDS AND ALBUMS?
    In general - I agree with you,  It is very difficult for me to define Salem. In general, Salem playing Death Metal, but if you'll take the songs and separate them, you'll see that every song has it style, for example: take Coming end of reason and try to compare it with Slave, those are 2 completely different songs, and that is why this is so difficult. You have to listen to understand the difference between the songs. The bands I like the most are Death Kreator Sodom Voivod Bathory Entombed and more. The albums I like the most are Death-all Kreator-all Entombed-left hand path and more. 
4.TELL US A FEW THINGS FOR YOUR ALBUM. WHERE WAS IT RECORDED, WHO WAS THE PRODUCER, HOW LONG DID IT TAKE YOU? ARE YOU STILL SATISFIED BY THE FINAL RESULT?
    "Collective demise" is very aggressive, although it has a lot of melodies and harmonies. I think that "Collective demise" reflects certain adolescence of Salem, the fact that it's more aggressive and much faster distinguish it from our previous releases. Collective demise" Produced by the band and recorded in D.B. Studios (Drums, Bass, and Guitars) and Noise Studios (Vocals and mix) in Israel to maintain the bombastic production standard set forth with previous release "A Moment of Silence". "Collective Demise" contains 12 new songs which textually are snapshots of our reality since September 2001 and musically explore new territories; The use of Afro-Cuban Percussion on "Dead Eyes" and "Slave", Arabic darbuka on "Broken Yet United" and "Act of Terror", female vocals on "Coming End of Reason", "Feed on Your Grief", "Act of War" and "Al Taster" and the  most sophisticated second guitar harmonies ever submitted to reel. In general and conceptual, all the songs in the album are referring to collective demise. When we started writing "Collective Demise" we didn't know how it would turn out, the expectations were high, and we are satisfied with the results. 
5.WHAT ARE YOUR LYRICS TALKING ABOUT? WHICH THEMES INSPIRE YOU TO WRITE FOR AND WHAT CAN TAKE THE INSPIRATION AWAY FROM YOU?
    Our lyrics are influenced by life itself. In Israel it's impossible to ignore the news since it has a direct effect on your daily life and as a result you have songs. It's hard to cope with the fear of being somewhere crowded (like busses, restaurants, or even live shows) without knowing how it will end. The fact that innocent civilians are dying gives you a helplessness feeling. It is difficult for us to see a solution for it right now, but we don't know what tomorrow will bring - therefore we try to keep hoping.> 
6.DO YOU LIKE PERFORMING LIVE? DO YOU REMEMBER ANY FUNNY OR WEIRD INCIDENTS OCCURING WHILST YOU WERE PLAYING LIVE?
    We like performing live very much. Salem shows have great energies. The audience knows and sings all the lyrics with me, almost every show is sold out (800-1000 people). The show is 80 minutes, and it includes songs from all of our releases. Every show is different because we have 4 CD's, and we try to give the audience something new every time they are coming to see Salem show. In some shows we put video screen with Salem's video clips, or projecting the show. The weirdest thing that happened to us was that after we finished the live show, the fans didn't want the show to be over, and we did encores for one hour! so the show was 2.5 hours! 
7.WHICH ARE YOUR PLANS FOR THE FUTURE AND WHERE DO YOU THINK YOU WILL BE AS A MUSICIAN IN 10 YEARS TIME?
    A European tour, The release of album Number 5, The re-release of "Creating our sins" and "Kaddish" and then we'll see. We want to remain active as long as we feel that we have something to say and that there's someone who's interested to hear it. Salem try to be as much original and come up with good material cause we work a lot on the songs to make them interesting and have no rush to write songs that will end up being crap in the end. We will continue as long as we have support from our fans in Israel and worldwide. 
8.YOU HAVE HELPED IN THE PRODUCTION OF NAIL WITHIN. TELL US A FEW THINGS FOR IT. DO YOU INVOLVE WITH PRODUCTIONS OR WAS IT THE FIRST TIME? ARE YOU THINKING OF BECOMING A  PRODUCER IN THE FUTURE?
    I had a lot of knowledge in studios, but My big experience of sound came from Colin Richardson- he is the master of sound and I was honored to work with him on our album A moment of silence.   About Nail-Within- I just returned from Germany, helping producing "Nail within" with Harris Johns. I was involved on everything in the production including the album mix. I try to help bands, I produced several bands like "Arallu", "Azazel", "Aztec", "Betrayer". Right now I am working very hard on Salem. I don’t know what will be in the future. 
9.WHAT WOULD YOU DO IF YOU WEREN'T ABLE TO COMPOSE MUSIC?
    I can't see myself doing anything else as an artist but music. I think music is the best way to pass our message loud and clear. This is what I love to do. 
10.IF YOUR MUSIC WAS AN EMOTION, WHAT WOULD IT BE?
    Our music has a lot of emotions in it, like pain and anger that we experience in Israel as individuals and collectives. I think you can feel it through our melodies and harmonies. 
11.IF YOU COULD BE A HISTORICAL PERSON FOR A DAY, WHO WOULD YOU LIKE TO BE AND WHICH PERIOD OF HIS/HER LIFE WOULD YOU LIKE TO LIVE?
    I can’t think of any person like that sorry. 
12.YOU ARE GRANTED ONE WISH. WHAT WOULD YOU LIKE TO CHANGE IN THE WORLD?
    I would eliminate all the terror in the world. 
13.WHICH DO YOU THINK IS THE BEST AND WHICH IS THE WORST PART OF YOUR MUSIC? WHERE DO YOU THINK YOU NEED FURTHER IMPROVEMENT?
    We are satisfied with our music. the one improvement we need is a biggest budget - if we will have more studio hours, we will be able to express ourselves better. 
14.WHAT TITLE WOULD YOU LIKE THIS INTERVIEW TO HAVE?
    I will give you the honor to title this interview. 
15.THANK YOU! HAVE I FORGOTTEM TO ASK YOU ANYTHING AND YOU'D LIKE TO MENTION?
    Salem has released 3 new video clips from "Collective demise", the first one "Al Taster" deals with the pain of the people who lost their loved ones, the second "Act of war" shows the absurd of suicide terrorists on busses in Israel, and the third "Broken Yet United" is dedicated to the Israeli    Metal scene, to the audience and it shows the relationship between Salem and the fans. Thank you very much for your support. Keep metal alive! 

    Christine  Parastatidou

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