It's All Been Done Before
See the only problem with being a composer is that by now, in the words of one of my professors, "It's all been done before".  Short of inventing some new instrument, there's hardly anything new to discover.  So I'm left to try and re-invent the "counterpuntal" wheel so to speek.  Oh the joy of supposedly being talented...in the mean time I just do like John Williams and copy everyone else!
By bands, I mean composers of corse...
And the nomonies in no partiular order:
1.  Geroge Crumb (does the title Locra Texts mean anything to you?
2.  Micheal Nyman (I worship the man)
3.  Erik Satie (trust me on this)
4.  J.S. Bach (well duh)
5.  Josquin des Pres (who dosen't love modal counterpoint I ask?)
6.  Don Davis (Matrix soundtarcks rocked)
7.  John Williams (if for no other reason than the supurb way he rips off everyone else)
8.  Alan Silvestri(enough said)
9.  Phillip Glass (have you seen the movie The Hours?
10.Elmer Berstien (how many Oscar nominations do you need man?)
By bands, I mean bands...
1.  The London Symphony (JUST KIDDING!)
2.  Seals and Crofts (yes I'm a hippy, and I was also named after one of there songs, so I have to like them-it's in my blood)
3.  Yo Yo Ma (he counts doesn't he?)
4.  Manhattan Transfer (oh yeah)
5.  Wheather Report (can you say "on drugs"?)
6.  Buddy Rich Big Band (Mercy my Mercy)
7.  Count Basie Orchestra (they were a pre-curser to the modern rock band-I'm sure of it!)
8.  Earth WInd and Fire (it's true, I confess)
9.  Chicago (I was raised on them, what can I say?)
10. The Poly Jazz Five-my high school jazz quintet, we came REALLY close to winning a international jazz festival, but we ALWAYS rocked,  or rather, er, jazzed.
A BREIF BACKGROUND...
In case you wanted to know what kind of musical background/expierences I have, I'm about to tell you.  I started playing the piano (classically) when I was 4, thanks to my mom.  When I was in the 6th grade I picked up tenor sax and after swiching schools later that year, I switched to bari sax.  I player that in wind ensembles (commonly known as band) and marched it until my junior year of high school.  I remain the only bari sax player in the history of the band, and I'm a girl to boot!  In seventh grade (following the school switch) I started playing jazz piano in my school's big band, and I loved it.  So when high school came around I naturally played in there jazz band too (well, one of their five jazz bands).  My junior year I was put in as the only piano player in the almightly "Jazz A" after beating out two seniors and a junior for the spot.  Appearently someone thought I was talented, who knew?  So tha continued till my senior year when I got bored, picked up french horn, joined orchestra and started playing odd-ball imsturments on the side (you know, harpsichord, celesta, sythn etc.).  By the end of my senior year here's where my resume stood: I had 13 (now 14) years on piano (7 years classical, 6 jazz), 7 years on bari sax, 1 year on french horn, and somewhere in all of that I had picked up mallet percussion as well, primarily the vibes.  As far as performing goes, here's where the score card laid: 1) Marching Band: Drum Major (that person that yells a lot and waves their arms so no one in the football crowd can see), 2) Symphonic Winds: French Horn my senior year, Bari all other years, 3) Chamber Orchestra: all those odd-ball insturments and sometimes classical piano (shivers), 4) Symphony Orchestra: once again odd-balls, but mostly French Horn, 5) Poly Jazz A: jazz Piano and on occasion Vibes, 6) Poly Jazz Five: My jazz quintet on which I played Piano, 7) Pep Band: I waved my arms some more and payed Bari again, 8)  Poly Jazz B: I was a TA turned Piano player, 9) All Southern Honnor Jazz Band: Piano, 10) Long Beach Honnor Orchestra: Organ, and (breathing in) I accomapnied the Newcomb Middle School Orchestra and Band at their seasonal concerts on piano as well.  Now do you have an idea of who I am, musically at least?
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