SEVEN INCHES I HAVE ROTATED ABOUT/DIGITAL PENETRATION/VINYL FETISH
(BY DJ Not by the Hair of My Timmy-Tim-Tim)
He and his band (John, bass/guitar/organ/percussion; Scott, drums; David, guitar/vocals) are back!!
As is his wont, Nardwuar includes an excerpt from one of the interviews he does at his day-time radio gig, grilling Tommy Lee about one small portion (no pun intended - maybe) of the video he made with his former(?) wife, Vancouver Islander Pamela Anderson.
There are also four songs in their fast, unsubtle, garage-rock-punk style - and all this in less than eight minutes of vinyl.
It's silly material, verging on chaos at times, and is thus a joy to hear. Buy dozens!!
There's always room for Jello, as he rants and raves for your dining and dancing pleasure.
Hours and hours of spoken-word, on the anti-globalization and anti-corporate tip, with occasional dips into partisan (Green) politics.
He can be paranoid - he can be shrill - but, when he's on, he's DEADLY!!
I thought there were moments the arrangements were sloppy, and that the production could have been cleaner, but the pounding, loose punk-pop style is too exhilirating to maintain these gripes for long. It's a lot better than Christina Aggravata (who I'm afraid of, along with Brittle Spares, BS Boys and In Sink). So, if you buy only one dyke-rock-with-poetic-lyrics in 2001, this should be your choice. :)
This is jazzy, diverse and experimental, easily some of the best music Ani has put her name to, showcasing her growing facility on a variety of instruments other than guitar.
Loosely speaking, the RECKONING CD is acoustic and has the political/personal songs, such as "Your Next Move" and "Subdivision", as well as the more troubled love songs. REVELLING has some of the more hopeful, or at least still-striving-towards-understanding, love songs, and has fuller arrangements, though there is some overlap ("Tamburitza Lingua" is on the second CD, but decidedly political).
Like Prince, that other commander of multi-instrumentalism and sprawling multi-CD sets, there are moments of overreach - but, as any number of artists have said, you have to do the things you cannot in order to learn how to do them.
It has a wide range, from the electronics of Tracy and the Plastics to the power-ballad metal of Vaginal Davis to the bizarre piano-lounge of Kiki and Herb, and proves that a lot of girl bands emulate the sound of Sleater-Kinney (not that there's anything wrong with that).
Musically, the poppier aspects of earlier LPs have been toned down in favour of a more driving, hardcore feel, which is a little unfortunate, but the performances are energetic and the lyrics thought-provoking and slightly more subtle than in the past (comparatively - this is still a didactic bunch of fellas).
Some of my queerpunk buddies complain that there are no direct shoutouts to homo issues this time. However, "Natural Disasters" and "Ladies' Night in Loserville" certainly question hetero norms in their way.
Powerful - uncompromising - and definitely an anarchist threat to society (if only tunes in and of themselves had knocked down any walls since Jericho).