The easiest way to the rooftop is by elevator. You can also take the stairs. From the first landing, there are more stairs to climb to reach the roof above the central nave of the cathedral. Don't look down until you have planted your feet firmly on slanted roof. On a clear day you can see the city spread out into the distance. But the best view is of flying buttresses eleborately decorated with tracery, the forest of spires, the thousands of statues, enclosed spiral staircases and the gilded copper La Madonnina (Little Madonna) towering above it all. There's enough to keep your interest level high.
The gothic style Duomo was begun in 1386 and took over four hundred years to complete. It took so long to finish the job that the Milanese have coined a phrase, "la fabbrica del Duomo" to refer to anything that takes forever to get done. The Duomo is built on top of layers of civilizations including a Roman bath from the first century BC, a baptistery from AD287 and a basilica from the 4th century AD. These excavations are a quick study of the history of this city which was once called Mediolanum. Fifty-two columns support the interior of the Duomo and some of the most beautiful and colorful stained glass windows adorn the apse.
Facing the Piazza del Duomo is the Galleria Vittorio Emanuele II with its curved steel-reinforced glass ceiling and dome. Chic stores with tempting displays that scream "buy me" beckon shoppers. Cafes here have some of the best seats for people watching. The Galleria's northwest entrance opens to the Piazza dell'Opera where a statue of Leonardo da Vinci looks over the square. Da Vinci was a long-time resident of Milan where he painted the Last Supper in the refectory of the church of Santa Maria delle Grazie and frescoed the ceiling of the Sala delle Asse in the Castello Sforzesco.
The popularity of the book, Da Vinci Code, has made it difficult to see the restored mural of the Last Supper. This materpiece was already disintegrating when Leonardo was working on it from 1495-1498. By experimenting with oil paint on semi-dry plaster, he had inadvertently caused the rapid deterioration of his own work.
A true Renaissance man, Leonardo was also an inventor and scientist. Hence his constant experimentation with matter. At the Science and Technology Museum you can view models of Leonardo's inventions as well as his sketches including that of the Vitruvian man. You can also see his famous "right to left" handwriting. It helps to read it using a mirror.
The Castello Sforzesco was originally a fortress. Da Vinci designed its defenses as consulting engineer to Duke Ludovico Sforza who ruled Milan from 1480-1499. On the vaulted ceiling of the Sala delle Asse, Leonard painted a mulberry tree with leaves that spread across the ceiling like clinging vines. It has the appearance of a tropical rainforest. This was discovered in the 19th century after the whitewash covering the ceiling was peeled off. In another room of the castle is Michaelangelo's Rondanini Pieta which he was carving when he died at the age of 89. There is poetic justice to find these works in one place by two contemporaries and competitors who clearly felt disdain for the other (if art historians are to be believed).
Along with its cultural treasures, Milan offers the latest in fashion as the capital of haute couture. The shops of famous designers are found on the toney streets of Via della Spiga and Via Montenapoleone. The boutiques of Dolce & Gabbana, Prada, and Mario Bucellati among others, draw many visitors to the area for some heavy duty shopping. But don't worry if the prices here are a little steep. Head to Corso Buenos Aires or Via Gregoriana where stylish clothes and accessories come with more reasonable price tags.
From the lofty spires of the Duomo to the subterranean excavations of earlier civilizations, Milan at street level pulsates to the beat of business and industry. It is the economic hub of the country due in part to its hard working denizens. In this fast-paced environment, there is no room for "la fabbrica del Duomo".
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