While the early part of the 11/30/77 draft of the Battlestar Galactica premiere script is very similar to what finally aired in September 1978, the later scenes on Carillon were totally scrapped and rewritten as Glen Larsons ideas evolved. While the casino sequence begins much as were familiar with, with Starbuck and Boomer discovering the casino, Boxey being picked up by the Ovions and so forth, what would have been the last hour of the episode is literally unrecognizable. While Starbuck gambles in an effort to pick up information about the casino, Boomer heads back for their vipers (they didnt arrive in a landram in this version) to contact the ship. But when Skyler (Apollo) arrives on the scene he finds the two vipers destroyed, Boomer missing, and Starbuck characteristically short on explanations. Skyler attempts to confront the people in the casino with news of the destruction of the Colonies, and this results in a firefight between the two warriors and Ovion guards. The two men are forced to flee and end up in the mine. They decide to try and find out whats going on, so they lie in wait atop an elevator shaft in the mine. As they wait, they have this exchange:
STARBUCK
Skyler .
SKYLER
Mmmm .
STARBUCK
You hear something?
SKYLER
No .
STARBUCK
Sounded like a door opening above.
SKYLER
Must be almost morning by now . Could be another of their health tours.
STARBUCK
You really intend to see where theyre going?
SKYLER
Uh huh.
STARBUCK
Just like your father .
(Skyler seems to care about the conversation for the first time. His eyes shift over to the form sharing the claustrophobic space beside him)
STARBUCK
No offense meant I guess I have a reputation for taking things kind of loose and easy. Doesnt mean I dont appreciate it when someone sticks his neck out for me. You, I mean.
SKYLER (embarrassed)
I thought we were talking about my father.
STARBUCK
I was in a way. I mean, we wouldnt have survived if he hadnt done what he did and what you did what you had to do. That took a lot of courage, too.
SKYLER
It isnt courage, Starbuck. Its reflex. You know youre a complete warrior when you find you can leave your own brother behind to die .
STARBUCK
To save how many more brothers you cant feel responsible.
SKYLER
Starbuck youre a na�ve young boy. Let me tell you what I feel whats really bothering me its how long its taking me to feel anything at all. Only now, two centons after hes gone, do I begin to ache to start to hurt, to want to cry. Thats how programmed Ive become. So which one of us is the lesser living creature? The one thats gone on, or the one who is left behind and feels nothing?
(Starbuck finds hes opened up a floodgate he isnt equipped to handle)
STARBUCK
I dont know.
SKYLER
Now you sound like a leader I dont know either.
Skylers reference to Starbuck
as a na�ve young boy makes one wonder how much of an age difference Larson
originally saw between these two roles.
Later, the warriors patience is
rewarded and they find out that the Ovions are using their human guests as food. In this
early version the casino guests are overfed until theyre enormous. Not only is this
a rather unattractive concept, its impossible (it would takes months of stuffing to
get the people as plump as these are portrayed as being) and also inefficient. Skyler and
Starbuck escape from the mine and run into Sire Anton in the upper levels; they warn him
of whats going on. Meanwhile, Baltar, who is on Carillon, has been busily plotting
the final doom of the humans with the Ovions. Tigh orders everyone evacuated from the
surface when he becomes suspicious of Ovion motives.
On the planet, a battle begins as the
humans try to evacuate the casino. Pilots from Red Squadron are trapped, but before
Starbuck can rush off to find his comrades a broadcast from Baltar orders the humans to
surrender and offers them survival if they do so. He has Adama captiveAdama and Lyra
(Serina) were captured earlier. The dialogue between Baltar and Adama is of interest:
ADAMA
Baltar you dare to live. To walk amongst men .
BALTAR
My dear Adama, provincial to the end. I offer you people life. You have but a few microns to decide. Even I couldnt call off the Cylon destroyers, once they reach your people huddled in those helpless, miserable ships.
ADAMA
What treachery have you in store for your race this time?
BALTAR
My dear man, treachery is a matter of perspective. It is the Cylons who wish us dead, not I.
ADAMA
How long have you supported their war machine by selling them tylium?
BALTAR
If not from me, then some other source. They would not be denied .
ADAMA
Are you so much a fool that you believe you can trust them?
BALTAR
I am prepared to offer them tylium from the planet Carillon in return for your lives. If they reject my offer, I will destroy the planet. Not difficult, considering its largely composed of the most combustible substance known to man .
ADAMA
You expect me to accept slavery for our people .
BALTAR
You are not alone amongst my prisoners. Your daughter .
(Baltar looks off as Athena and Boxey are escorted in by two Cylon guards. Athena runs from them into his arms)
ATHENA
Father .
BALTAR
You must make the choice. Life or death for her and the boy, and for all your people. You havent much time. If you have not chosen to live by the time the Cylons reach you, I will let you die all of you.
Adama finally agrees with Baltars demand and is permitted to contact Colonel Tigh. Adama orders Tigh to send down the Galacticas remaining warriors. Unbeknownst to Baltar, his words are a secret code arranged beforehand and Tigh sends down a strike force. The strike force attacks the planet, the Cylons attack the fleet and all hell breaks loose. Just before hes about to board a shuttle for the Galactica, Muffit tugs at Starbucks leg. Lyra believes the droid knows where Boxey is and convinces Starbuck to follow it. Starbuck does so:
(Baltar stands amidst his two Cylon centurions admiring the sounds of war, and the sights on his long range scanners)
BALTAR
Adama you have won the battle. But now you must lose the war.
(the centurion raises his laser pistol, directing it at Adama and Athena)
BALTAR
Remove her, and the others.
(the two centurions begin to remove Athena, Boxey, and Adama. Suddenly the small droid charges into the chamber barking)
BOXEY
Muffey!
BALTAR
Get him
(as the centurions start for the little droid, the droid wheels around and races back out the door, Baltar and the centurions in pursuit)
Baltar chases Muffit down a corridor and shoots the poor little droid just as Starbuck arrives on the scene. Hes about to shoot Starbuck but Adama deflects Baltars aim. Starbuck shoots Baltar, then his two centurions. The ex-prisoners escape, Starbuck pausing to bring back the demolished Muffit. He hears noises, follows them, and finds the missing pilots and people from the casino. The last scene of this early version of the premiere begins on the last shuttle to leave Carillon, which includes among its passengers none other than the Android Sisters.
BOOMER
You didnt!
STARBUCK (innocently)
I couldnt very well leave them behind!
Starbuck and Boomer watch as Carillon explodes behind them; on the bridge of the Galactica, Tigh and Adama watch the same sight.
TIGH
Commander .
ADAMA
I saw it.
TIGH
The final end of Count Baltar and his treachery.
ADAMA
No Im afraid his treachery will haunt the human race for millenniums. But out of it, perhaps there will come some good. A place for us out there in the universe where we can seek after mans potential for good, for peace, for love a place with our brothers and sisters on a planet called Earth.
If all this confuses you, youre not alone. The entire casino sequence is far too complex; theres just too much going on and I didnt describe all of it. As aired, the casino sequences were scrambled in order for some reason but at least its fairly straightforward. That was not the case in this early draft and I suspect thats why this version differs so markedly from what was actually shot.
� 1991, 1999 by Susan J. Paxton
Originally published in ANOMALY 17