Bar-Kays

Soul funk band originally formed in the late 1960's. Played with Isaac Hayes, including on "Theme from Shaft". Later recordings included the funky "Shake your rump to the funk" and "Let's have some fun", with Funkadelic style backing. Came back in the 1980's with a more pop-based sound and produced hits like "Sex-o-matic". However for their funky disco best, listen to "Too hot to stop".

Too hot to stop (Pt. I) / (same) (Mercury 12" MK-26, 1976) Holy ghost / Monster (Stax 12" D-123, 1978) Give it up / Shine (Mercury 12" MK-87, 1978) Move your boogie body (Mercury 12" MK-120, 1980) Boogie body land (Mercury 12" MK-158, 1980) Body fever (Mercury 12" MK-167, 1980)

 

  1. Soul finger (Volt LP, 1967)
  2. Gotta groove (Volt LP, 1969)
  3. Black rock (Volt LP, 1971)
  4. Too hot to stop (Mercury LP, 1976)
  5. Flying high on your love (Mercury LP, 1977)
  6. Light of life (Mercury LP, 1978)
  7. Money talks (Stax LP, 1978)
  8. Injoy (Mercury LP, 1979)
  9. As one (Mercury LP, 1980)                         

Bar-Kays

Jimmy King (b. 1949; guitar), Ronnie Caldwell (b. 1948; organ), Phalin Jones (b. 1949; saxophone), Ben Cauley (b. 1947; trumpet), James Alexander (bass) and Carl Cunningham (b. 1949; drums) were originally known as the River Arrows. Signed to Stax, the Bar-Kays were groomed as that label’s second string houseband by Al Jackson, drummer in Booker T. And The MGs. The above sextet scored three R&B hits in 1967, spearheaded by the powerful, nagging instrumental ‘Soul Finger’ which deservedly crossed over into the US and UK pop charts. The Bar-Kays were employed as Otis Redding’s backing group on tour, and the tragic plane crash in 1967, which took his life, also claimed King, Caldwell, Jones and Cunningham. Alexander, who fortuitously missed the flight, put a new line-up together

With Ben Cauley, the sole survivor of the accident. The latter musician soon dropped out, leaving the bassist at the helm of a frequently changing line-up. Primarily a session group, the Bar-Kays provided the backing on many releases, including Isaac Hayes’s Shaft and several of Albert King’s 70s recordings. The group pursued a funk-based direction on their own releases with the addition of vocalist Larry Dodson, but while ‘Son Of Shaft’ reached the US R&B Top 10 in 1972, consistent success was only secured on their move to Mercury Records. Later singles, including ‘Shake Your Rump To The Funk’ (1976), ‘Move Your Boogie Body’ (1979) and ‘Freakshow On The Dancefloor’ (1984), were aimed squarely at the disco market. Since 1987 the group has featured Dodson, Harvey Henderson (tenor saxophone) and Winston Stewart (keyboards).

Albums:  Soul Finger (1967), Gotta Groove (1969), Black Rock (1971), Do You See What I See (1972), Cold Blooded (1974), Too Hot To Stop (1976), Flying High On Your Love (1978), Light Of Life (1978), Money Talks (1978), In Joy (1979), As One (1980), Night Cruisin’ (1981), Propositions (1982), Dangerous (1984), Banging The Wall (1985), Contagious (1987).

Albums:  I Just Can’t Stop It (1980), Wha’ppen (1981), Special Beat Service (1982). Compilation:

14/hat Is Beat (1983).

Albums:  The Beat (1979), The Kids Are The Same (1982), To Beat Or Not To Beat (1983, mini— album).

 

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